Filmed October 2024, Released Nov 2nd 2024.
Market Center
Filmed on the 5th floor rooftop of Maryland Art Place. This film catalogs the great events that have happened in the area known as market center. Incredible great black historical events have occurred steps from the location of the filming.
Recorded November 2023, Film released Feb 2024. (10 mins)
Hays-Heighe House
Positioned on the campus of Harford Community College. The Hays-Heighe house has an uncomfortable history. Historical documents recorded that 31 enslaved Africans were held here in 1856. Sam Archer was the only recorded person who ran away, utilizing the underground railroad network.
Brentwood (2023) 11 mins
Synopsis
in this film we experience a ritual cleansing of an area known as Brentwood, Maryland. Brentwood was separated from North Brentwood by a narrow road and a guardrail that are still around today at Windom Rd and 39th st. Whites lived in Brentwood and blacks could not during the segregation era. North Brentwood was where blacks could live. Everyone knew you would suffer verbal and sometimes physical abuse if you tried to travel on foot or bicycle through Brentwood as a black person.
Windom Barrier Park- Reparations Artwork by Clark & Dixon
In August of 2024, the Windom Barrier Park was finally finished and there was a dedication ceremony. This public sculpture is one of the first of its kind to take a former artifact of division and reimagine it as a tool of equity. In the era of mass removal of confederate monuments, this sets the example of how we can repurpose these former artifacts to both remember the past and repair it, without completely removing it. This revised version of the film connects the history to the ritual and the repair which included public art.
The History of the School for Colored Girls at DuPont Circle
19 DuPont Circle, Washington D.C.
at this site in an underground subway station in DC, we experience a blessing ritual by Liz Miller which taps into the energy of the site with a message for everyone.
Synopsis
This film details the history of the area of DuPont Circle in Washington D.C. A site where a ‘School for Colored Girls‘ was founded by the white female abolitionist, Myrtilla Miner.
Details about the Original Live Performance
The film was made using footage of the original live performance recorded on 3/3/23. This performance was a part of the opening reception of the exhibition ‘Cost of Living’, about the resilience of black women. The exhibit was the highest attended exhibit ever for the Dupont Underground, located at 19 DuPont Circle, Washington D.C.
Work in Progress
This video is a work in progress as I am still gathering more footage from the site to create the film as I imagine it.
HeLa (2021). 7 mins
Synopsis:
HeLa is the name that the immortal blood of the black woman Henrietta Lacks has been given in labs worldwide. Her blood regenerates itself, so while the woman the blood was originally taken from passed away years ago, her blood is still here making medical miracles. This film was captured at the site where Henrietta Lacks was first seen at a segregated health clinic for her health issues. It was here that her blood was first discovered to have immense replicating abilities. We filmed here to perform a healing ritual for black women, specifically ourselves and Henrietta, but also black women overall who routinely receive a substandard of care due to racial bias. The title 'HeLa' is the name that her blood has in the labs around the world where she lives on in. See the articles below for up-to-date information about ongoing legal action in relation to Henrietta's family and her legacy.
Link to view film:
Additional helpful articles:
https://www.jhunewsletter.com/article/2021/10/henrietta-lacks-family-sues-thermo-fisher
Henrietta Lacks
REMEMBRANCE BLESSING (2021): 6 mins
at the site of the former county jail in montogomery county in rockville, md
This is a film based on the raw footage taken from a remembrance walk that happen in October of 2021. This walk was thoughtfully organized to orchestrate remembering and reflecting upon two men, Sidney Randolph and John Diggs-Dorsey. These two black men were in Montgomery County jail for crimes that whites had stated they committed and were awaiting trial. Each had a lynch mob that overtook the security at the jail, in order to remove them and lynch them in a nearby tree. This performance I did at the launch of this remembrance walk, served as a cleansing of the energy of the space. This site of the former jail is now a county council building. That morning was a series of speeches, a drumming solo, and my dance which transformed the energy of the space. This film was a result of the Lynching Memorial Project of Montgomery County (which organized the walk) and Arts and Humanities Council of Montgomery County. Another version of this film was created and projected onto a structure in relation to a larger event where multiple artists created films discussing the lynchings in Montgomery County. This event which happened on Nov 5-6, 2021, allowed the broader community to participate in these reflections on a broader scale, illuminating key buildings relating to politics and law in the area.
Sidney Randolph
Sketch courtesy of the Montgomery County Archives
(click image to view film)
RANDOLPH, PECK, DIGGS-DORSEY : film (2021)
Film:title: Randolph, Peck, Diggs-Dorsey
Description:
The performance at VisArts was a ritual cleansing of one of the sites where three African-Americans were lynched in the 1880s. Sidney Randolph was lynched a block from VisArts. Four performers ritually cleansed the space. Each performer will served as a surrogate for one of the lost lives; the creator of the ritual presided as high priestess over the ceremony. The artist Liz Miller conceived the ritual cleansing concept in conjunction with her wearable hair sculptures.
Image of the street outside of the VisArts gallery in Rockville md
UBUNTU : Film (2020)
Synopsis
FULL FILM: 26 MINS
UBUNTU is a South African noun meaning ‘humanity’. More specifically it references an African philosophy ‘I am because we are’.
This film catalogues the transformation of six public sites having notable ties to slavery or present day racism in the city of Baltimore. As performers move within these smoke-filled spaces, their black bodies adorned with hair sculptures, which function as sacred objects, they tap into the energy of our ancestors while simultaneously urging us toward an emancipated future: a freedom which comes from unlocking what’s embedded within and eschewing the traditional pathway of seeking freedom from the colonizer.
Each performer wears a handmade hair sculpture representing the power to transcend, cleanse, and heal. Through the ritual, the performer's DNA is deposited upon the pieces themselves,the headdresses transform from sculpture to artifact. the bond is sealed, and these spaces of historical trauma are cleansed.
THE FILM IN CHAPTERS!
CH 1: KARMA:
CH 2: AMAADI:
CH 3: DEV'NAY:
CH 4: KAY:
CH 5: NICOLETTA:
CH 6: JAY:
UBUNTU TRAILER:
Kay Harvey Bonham
